{"id":19074,"date":"2023-02-23T11:27:57","date_gmt":"2023-02-23T11:27:57","guid":{"rendered":"https:\/\/nortz.rs\/novi\/?page_id=19074"},"modified":"2026-08-31T14:30:12","modified_gmt":"2026-08-31T14:30:12","slug":"u-pripremi","status":"publish","type":"page","link":"https:\/\/akademskaknjiga.com\/en\/u-pripremi","title":{"rendered":"In preparation"},"content":{"rendered":"

<\/div><\/div>

Uskoro izlazi iz \u0161tampe<\/span><\/span><\/p>\n<\/div>

<\/span><\/div><\/div><\/div>

Zamislimo neo\u017eenjenog profesora latinskog jezika u provincijskoj \u0161koli po\u010detkom 20. veka u Ma\u0111arskoj. Zamislimo njegovu usamljenost i njegovo robovanje navikama. Zamislimo zakasnelu krizu srednjih godina koja ga je uzdrmala i ophrvala.<\/p>\n<\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Ponajpre \u2013 ovo je ljubavni roman. O fatalnoj, frustriraju\u0107oj i uglavnom neuzvra\u0107enoj srpskoj ljubavi prema ruskom vo\u0111i. O dve porodice i ljudima preko \u010dijih se le\u0111a prelamaju tereti i udesi istorije.<\/p>\n<\/div><\/div><\/div><\/div>

<\/span><\/div><\/div><\/div>

Da li se poimanje zavi\u010daja menja kada jedan grad dobija nova imena, menja dr\u017eave, dru\u0161tvene poretke? Kako odrastanje me\u0111u razli\u010ditim jezicima i kulturama oblikuje pogled na svet? \u0160ta porodi\u010dna dokumenta otkrivaju o detaljima istorije koje zvani\u010dni izvori izostavljaju? O tome u prvom tomu memoara pi\u0161e Tibor Varadi.<\/p>\n<\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>
<\/div><\/div>

U narednom periodu<\/span><\/span><\/p>\n<\/div><\/div><\/div>

BIBLIOTEKA ARHIPELAG<\/a><\/p>\n<\/div>

<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Mark Mazower: ON ANTISEMITISM<\/i> <\/p>\n<\/div>

\n<\/div><\/div><\/div>

\"Isak<\/span><\/div>
Peter Longerich: JOSEPH GOEBBELS <\/em><\/div>\n<\/div><\/div><\/div><\/div><\/div>

\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>
\n
\n

Richard Evans: HITLER\u2019S PEOPLE<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>

\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>
\n
Maciej G\u00f3rny: Wielka Wojna Profesor\u00f3w<\/em><\/div>\n<\/div>\n<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>
\n

Marie-Janine Calic: BALKAN-ODYSSEE: 1933\u20131941. Auf der Flucht vor Hitler durch S\u00fcdosteuropa<\/p>\n<\/div>\n<\/div>

\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>
\n

Tal Bruttmann, Stefan H\u00f6rdler, Christoph Kreutzm\u00fcller: <\/b>UN ALBUM D’AUSCHWITZ. Comment les nazis ont photographi\u00e9 leurs crimes<\/p>\n<\/div>\n<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>
Maria Todorova <\/div>\n
The Balkans. Mission Possible <\/i><\/div>\n<\/div><\/div><\/div><\/div><\/div>
\"Guillaume<\/span><\/div>

Peter Sloterdijk: DER KONTINENT OHNE EIGENSCHAFTEN<\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Guillaume Calafat, Mathieu Grenet M\u00c9DITERRAN\u00c9ES. UNE HISTOIRE DES MOBILIT\u00c9S HUMAINES (1492\u20111750)<\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"\u0413\u0435\u043e\u0440\u0433\u0438<\/span><\/div>

HAL\u0130L \u0130NALCIK THE OTTOMAN EMPIRE, Sultan, Society and Economy<\/i><\/span><\/span><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>
\"Isak<\/span><\/div>
Barbara Stollberg-Rilinger:<\/div>\n
Die Aufkl\u00e4rung. Europa im 18. Jahrhundert<\/em><\/div>\n<\/div><\/div><\/div><\/div><\/div>
<\/div>

Romulus Vulc\u0103nescu: Mitologie romana<\/em><\/p>\n

Milivoj Be\u0161lin IDEJA MODERNE SRBIJE U SOCIJALISTI\u010cKOJ JUGOSLAVIJI, KNJIGA 2<\/em><\/p>\n

Petar \u017darkovi\u0107 i Zoran Bajin: <\/span>KO\u010cA POPOVI\u0106, VELI\u010cINA I PAD REVOLUCIJE: IZ DNEVNI\u010cKIH BELE\u017dAKA (1966-1972)<\/i><\/span><\/p>\n<\/div>

<\/div><\/div><\/div><\/div>

BIBLIOTEKA PHYSIS<\/a><\/p>\n<\/div><\/div><\/div>

\"Patri\u0161a<\/a><\/span><\/div>

Patri\u0161a \u010cer\u010dland: NEUROFILOZOFIJA<\/em><\/p>\n<\/div><\/div><\/div>

\"Isak<\/a><\/span><\/div>

Isak Njutn: OPTIKA<\/em><\/p>\n<\/div><\/div><\/div>

\"Isak<\/a><\/span><\/div><\/div><\/div><\/div><\/div>

Ru\u0111er Bo\u0161kovi\u0107: TEORIJA PRIRODNE FILOZOFIJE<\/em><\/p>\n<\/div>

<\/div><\/div><\/div><\/div>

BIBLIOTEKA POSEBNA IZDANJA<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div>

Ivana Marciki\u0107: <\/span>EFEKTI KONSTRUKCIJE PROSTORA U VIZUELNIM UMETNOSTIMA<\/em><\/p>\n<\/div>

Slobodan \u0106ur\u010di\u0107: ARHITEKTURA NA BALKANU. OD DIOKLECIJANA
DO SULEJMANA VELI\u010cANSTVENOG<\/p>\n

Losoncz \/ Stojanovi\u0107 \/ Bojani\u0107: SVOJINA \u2013 ZBORNIK<\/p>\n

Richard Cockett VIENNA: HOW THE CITY OF IDEAS CREATED THE MODERN WORLD<\/i><\/span><\/p>\n

\n<\/div><\/div><\/div><\/div><\/div>

<\/div>
<\/div><\/div><\/div><\/div>

BIBLIOTEKA IZ PESNIKOVE ZAOSTAV\u0160TINE<\/a><\/p>\n<\/div><\/div><\/div>

Vasko Popa: Ha\u0161i<\/p>\n<\/div>

<\/div><\/div>

BIBLIOTEKA A<\/a>RCUS<\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"Isak<\/span><\/div>
Dan Breznitz Innovation in Real Places <\/i><\/span><\/span><\/div>\n<\/div>
\"Isak<\/span><\/div>

\u017dilija Ka\u017ee i Toma Piketi ISTORIJA POLITI\u010cKIH SUKOBA. IZBORI I DRU\u0160TVENE NEJEDNAKOSTI U FRANCUSKOJ (1789\u20132022)<\/p>\n<\/div><\/div><\/div>

\"Isak<\/span><\/div>

Lucas Chancel \u00c9nergie et in\u00e9galit\u00e9s. Une histoire politique<\/em><\/p>\n<\/div>

\"Isak<\/span><\/div>

Donatella di Cesare: TECNOFASCISMO<\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>

BIBLIOTEKA SAVREMENI ROMAN<\/a><\/p>\n<\/div>

\"Carlos<\/a><\/span><\/div><\/div><\/div>

Carlos Fuentes: GRINGO VIEJO<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Ismail Kadare Prilli i thyer<\/em> <\/p>\n<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Mathias Enard: LA PERFECTION DU TIR<\/em><\/p>\n<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Kamel Daoud Houris<\/i><\/span><\/p>\n<\/div>

\n<\/div><\/div><\/div>

\"Isak<\/span><\/div>

CAMILLE LAURENS TA PROMESSE<\/i><\/span><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

\n<\/div><\/div><\/div>

<\/div><\/div>
\"Guillaume<\/span><\/div>

Alec Patric Black Rock White City<\/i><\/span><\/p>\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Simona Sora Complezen\u021b\u0103 <\/em>  <\/p>\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Iris Wolff Lichtungen<\/em> <\/p>\n<\/div>

\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

JACEK DEHNEL <\/span>Krivoklat<\/em><\/p>\n<\/div>

\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

Mathias Enard D\u00e9serter<\/em><\/p>\n<\/div>

\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

\u00c9ric Vuillard Les Orphelins<\/em><\/p>\n<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

<\/div>

BIBLIOTEKA HISPANOAMERI\u010cKI ROMAN XXI VEK<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>
\"Isak<\/span><\/div>

William Ospina EL PAIS DE LA CANELA <\/span><\/p>\n<\/div><\/div><\/div>

\"Juan<\/a><\/span><\/div>

Leonardo Padura COMO POLVO EN EL VIENTO <\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

\"Isak<\/span><\/div>

Hugo Burel, El corredor nocturno<\/i> <\/span><\/p>\n<\/div><\/div><\/div>

\"Juan<\/a><\/span><\/div>

Carla Guelfenbein La naturaleza del deseo<\/i><\/span><\/p>\n<\/div><\/div><\/div><\/div><\/div>

\n<\/div><\/div><\/div>

\"Guillaume<\/span><\/div>

M\u00f3nica Ojeda Franco Mand\u00edbula<\/i><\/span><\/p>\n<\/div>

\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>

BIBLIOTEKA MOZAIK<\/a><\/p>\n<\/div><\/div><\/div>

\"Konstantin<\/a><\/span><\/div>

Konstantin Kavafi: PESME<\/em><\/p>\n<\/div><\/div><\/div>

\"Samuel<\/a><\/span><\/div>

Samuel Beckett: DREAM OF FAIR TO MIDDLING WOMEN<\/em><\/p>\n<\/div><\/div><\/div>

\"Varlam<\/a><\/span><\/div>

Varlam Shalamov \u2013 KOLYMA STORIES<\/em><\/p>\n<\/div><\/div><\/div>

\"Varlam<\/span><\/div>
<\/div>

Emmanuel Carr\u00e8re Kolkhoze<\/em><\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div>
\"Varlam<\/span><\/div>
<\/div>

Amos Reichman: LES MORTS DE RAOUL VILLAIN<\/b><\/p>\n<\/div><\/div><\/div>

<\/div>

\u017daneta \u0110uki\u0107 Peri\u0161i\u0107 i Vladimir Petrovi\u0107: <\/span>ANDRI\u0106EVE ADRESE<\/em><\/p>\n

Aleksandar Isajevi\u010d Sol\u017eenjicin PRI\u010cE 2<\/em><\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/div><\/div><\/div><\/div>

BIBLIOTEKA ARCUS<\/a><\/p>\n<\/div><\/div><\/div>

\"Erika<\/a><\/span><\/div>

Erika Mann: SCHOOL FOR BARBARIANS: EDUCATION UNDER THE NAZIS<\/em><\/p>\n<\/div><\/div><\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/div>
<\/div>

BIBLIOTEKA HORIZONTI<\/a><\/p>\n<\/div><\/div><\/div>

<\/div>

Varja Bal\u017ealorsky Anti\u0107: LIRSKI SUBJEKT. REKONCEPTUALIZACIJA<\/em><\/p>\n

Adriana Babeti AMAZOANELE<\/em><\/p>\n

Aleksandar Prstojevi\u0107 Une histoire de l’antir\u00e9f\u00e9rence dans la litt\u00e9rature et les sciences humaines 1945-2000<\/em><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/div>
<\/div>

BIBLIOTEKA CELOKUPNA DELA ALEKSANDRA TI\u0160ME<\/p>\n<\/div><\/div><\/div>

<\/div>

<\/a>Aleksandar Ti\u0161ma <\/span>Correspondence<\/span><\/i> <\/span>(<\/span>tom <\/span>I) <\/span>Pisma Sonji<\/span><\/i><\/span><\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div><\/div><\/div><\/div>
<\/div>
<\/div>

BIBLIOTEKA PSYCHE<\/p>\n<\/div><\/div><\/div>

<\/div>
Nina Krajnik Lacanska psihoanaliza: Znanost in subjekt<\/i><\/span><\/span><\/div>\n
 <\/div>\n
STUART SHANKER <\/i><\/span>Self-Reg<\/i> – How to Help Your Child (and You) Break the Stress Cycle and Successfully Engage with Life<\/i><\/span><\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"autor":[],"class_list":["post-19074","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/pages\/19074","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/comments?post=19074"}],"version-history":[{"count":3,"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/pages\/19074\/revisions"}],"predecessor-version":[{"id":35281,"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/pages\/19074\/revisions\/35281"}],"wp:attachment":[{"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/media?parent=19074"}],"wp:term":[{"taxonomy":"autor","embeddable":true,"href":"https:\/\/akademskaknjiga.com\/en\/wp-json\/wp\/v2\/autor?post=19074"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}